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“Forget Marlowe, Goethe, Gounod and Murnau, or rather, lay them aside, since the idiosyncratic helmer adds his own spin on the classic legend, and an over-familiarity with Faust's previous incarnations will likely hinder understanding.” (“Variety”, Jay Weissberg)
“Faust raises the power stakes to an epic struggle between a man who thirsts for intellectual dominion and the Devil himself. The expressionistic filmmaking lets loose in an idiosyncratic style of chaotic slapstick, in which frenetic theatrical acting contrasts with deformed visuals that can barely contain the actors.” (“The Hollywood Reporter”, Deborah Young)
“Faust raises the power stakes to an epic struggle between a man who thirsts for intellectual dominion and the Devil himself. The expressionistic filmmaking lets loose in an idiosyncratic style of chaotic slapstick, in which frenetic theatrical acting contrasts with deformed visuals that can barely contain the actors.” (“The Hollywood Reporter”, Deborah Young)
By A Web Design